The fabric of this inner space is natural and organic, dynamically keeping in a self-replicating circle. They replicate into a maze. At the bottom-right, where there is a deeper concentration of space, a circular exit is formed. Is it another entrance of another maze? I try to examine the activity of the consciousness and observe the images it created, transferring them on paper. I use soft and organic lines to express the illusory qualities of this space. 

It is the compassion and uncertainty nature of consciousness activities. We receive all kinds of different information and ideas every day, which makes our inner space very complicated. It is easy for us to get lost in this confusion. What I want to explore is whether there is free fluidity in this complex and psychedelic consciousness space. What I am looking for is the beauty that touches everyone's heart inside this fluidity.

I started by drawing a line on paper slowly - a very simple line and the pen moved across the paper in very small units, each time within half a centimeters. And I drew the whole thing little by little.

Blank paper is an unknown world, and what I need to do is to explore and discover all kinds of hidden things under the surface of it, outline their dimension and depth layer by layer, and reveal them.

With simple tools and methods, I can better and more purely focus my attention and energy on the state of "movement", where my body and mind are linked together and become a whole.
I first chiseled out four portals on the paper, and then I saw more portals that seemed to be replicating themselves, superimposing and merging with eachother. Half of their bodies penetrate below the horizontal line, forming amirror image.

First, I draw an organic round shape on the paper. It was one of those long vertical shapes. The lines were clean and steady but soft at the same time. Then I drew a straight "horizon line" in its center.

This horizon line runs across the whole paper surface, meeting the vertical lines of the organic circles, creating multiple cross shapes.

I continue to explore this vertical opening, creating layers of "ripples" that arise in every moment, every movement of the inner mind.

These ripples are generated at the moment and exist outside of time. Every one of them is the appearance of the other kind of space existing outside the material world.

This vertical shape in the middle seems to be an exit or an entrance to somewhere.

I start at a point and plot the trajectory of a circle, On the outside of it, I draw another circle.

What I want to explore is that in the course of this behavior, What is left on the paper?

During the drawing process, my heart generates thinking action, my hands generate moving action.

The smell of the studio and the curtains that fluttered in the wind affected me.

All these movements affect me, and in this way, they transfer into shapes on paper.

Each circle created a new center, even though they give the illusion to belong to a similar center.

The "Horizon line"crosses it and meets each central circle. Is there anything like this central circle also within our mind?

Is this central circle about the self or is it about something else?  What is it made of?  If these central circles are illusions of consciousness, do they have an end, and beyond that end, what kind of existenceis there?

A being made of emotional awareness. In certain energy beyond consciousness,

I feel lighter and smoother, I become more transparent. My hand slid the brush over the paper to form some soft and elastic, chaotic but clear material shapes. They are intertwined layer by layer, although each has its own boundary,
but they merge into each other, forming a cocoon.

It is formed by a strong but soft material of existence, it is divided but integral, it is contradictory but also in harmony.
It is natural and organic. It connects to the emotions and moves beyond it.

I found myself wandering in between illusion and reality.
Are these images creating a part of that giant and infinite space?

In order to see its full face, I kept creating, the brush and the body together keep forming waves.

The inspiration for this piece came from one early morning, I was surrounded by some gray colors in air. I did not open my eyes, but I could see them clearly: An entrance and some soft and floating matters, I did not know how many of them were there until I finished the work. "I opened a big portal in my heart, some soft material was lined up there, They look soft but pliable. Their bodies are soaked below sea level, It was as if a gust of wind would make them sway. What would it feel like if I went through their body? What kind of space is behind them?"

The ripples of emotions, desires, experiences and consciousness form holes in the air, like water dropping to the ground, spreading, and then disappearing.

Each one of them is competing to blossom, but they merge into each other, they are organic, fragile besides strong beings.

The layers of holes that open the door to the unconscious represent the energy of the universe, the energy of "me".

We were born from the womb, and then when we die, will we come in through some entrance and start our new journey?

The hole and the entrance, that's a very attractive theme to me.

During my childhood and adolescence, when I started to draw, I always left a nearly circular space in some part of the picture.

I always felt that this empty space had more secrets inside.

Through these experiences and perceptions, I gradually formed the creation of paintings with holes and circles as the main figures, and these drawings and figures were the links between me and the universal consciousness.

The hole, it always makes people feel mysterious, wants to enter.

It also creates a sense of mystery and fear: is the hole the end? And what kind of existence will that end be?

After made the “Holes Expansion", I began to work on "Floating organisms".

After many days of hard-working, it is finished. Every time I finish a piece of work, there is no sense of satisfaction. I look at it intently to see if there is anything else to add or remove, If not, it is considered as“finished". This painting is a continuation of "Holes Expansion", and it also exists independently. I try to describe it, but I feel It itself is telling me something.

I feel their energy is positive. These floating organisms, they pull and merge with each other. In each of them, there is a hole, or is the hole that creates them ? Through their holes I could see the void world, it is looming.

There were always some anxiety and conflicts in my creative process. There are some past moments and thoughts suddenly come to the mind, they are like a dream, which does not have many colours. They are some complex thoughts which are drifting.

When I draw a circle, the pencil rustles on the paper, the pencil and the hand have their own place to go, and take on various layers of colour on the paper, these complex thoughts disappear, and then they came back to the mind again and again.

I did not deliberately pursue "beautiful" shapes. Everything is naturally placed in its place, everything in accordance with its rhythm. After I finished one part, I saw the next part on the paper and then I drew it down.